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ABOUT
THE ARTIST:
When,
as a boy of nine, attempting to put paint on canvas
I was so excited so desperate to convey my appreciation
of the vibrant colour that seemed to be all around me.
It's
still the same today, 41 years later. My brushes have
evolved from the matchsticks that I chewed into little
brush-like ends but that same child-like excitement
makes me shiver when I see a Venetian Blue or a shimmering
light dancing through some trees.
I
served my apprenticeship on the streets of Glasgow,
where I grew up, and the river Clyde was my constant
inspiration; Many's the time I would be down there painting
Jamaica Bridge at night with my Miners torch on my head
so as to see the colours. This practice has continued
through the years with night studies of Paris, Venice
and Edinburgh. I owe a great deal to the old masters,
the French Impessoinists, the Scottish Colourists and
to David Donaldson. David was the head of drawing and
painting at the Glasgow School of Art and I benifited
from his great wisdom and eperience. He was a magnificent
Portrait painter and was the Queens Limner for Scotland.
He gave me my first official Portrait comission when
in 1975 I painted the senior Magistrate of Glasgow (Counc.
Gerald McGrath).
I'm
not going to ramble on about the techniques of painting
- I'd just like to say that I feel privileged to be
able to make a living as a professional Artist and I
will always strive to paint with feeling, passion and
honesty.
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